trout gulch Shoot at the highest possible shutter speed. This will reduce camera shake. The longer the lens, the

Inside the reef, before you reach the deep waters of the ocean where glamorous, deep-water sportfish hog the limelight, there s a second, very exciting sporting opportunity bonefishing. The elusive bonefish, often called the ghost fish, is rapidly becoming one of the most popular sportfish on the islands. Until quite recently, bonefishing was almost unheard of among mainland anglers. Today, people from around the world flock here in search of this hard-fighting denizen of the flats.

Shoot at the highest possible shutter speed. This will reduce camera shake. The longer the lens, the faster the shutter speed. You should never hand-hold a camera at a shutter speed slower than the focal length of the lens. For example, you would only hand-hold a camera fitted with 180mm lens when the shutter speed is set to 1/250 of a second or more; never slower. Likewise, a 50mm lens could be hand-held with the shutter set to 1/60th of a second, trout gulch but no slower. The best light for photography trout gulch is in the early morning and late afternoon. The colors trout gulch are warmer and the shadows deeper. At noon, when the sun is overhead, the lighting is flat and uninteresting. Good composition means good photographs. Dull days and skies without detail mean dull photographs. Such situations call for a little thought before you shoot. trout gulch A technique called framing will eliminate trout gulch large, detail-less areas from your pictures. Shoot from beneath tree branches, through doorways and windows, and include odd sections of wall and pieces of furniture in the picture. Walk around the subject until you find something anything you can place in the picture that will break up those large, uninteresting areas of sky. Never place a dominant point of interest in the center of your picture; move it up or down just a little, or place it a little to one side. Finally, look around. Make sure there is no trash soda cans, scraps of paper lying around. Never shoot into the sun. For the best effect, the sunlight should be coming from behind you, never from in front, unless you re looking for silhouettes. If you can, take notes. There s nothing worse than getting a half-dozen rolls of film back from the lab and not knowing what it is you re seeing. Don t miss the opportunity to shoot under water. Even if you don t intend to go diving, you should take a camera to the beach; the fish in the shallow waters are colorful and abundant. trout gulch You can purchase one of those neat little ready-made under-water cameras that come ready to